Olivia Rodrigo remains tight-lipped about the rumored feud with Taylor Swift, stating, “I don’t have beef with anyone.”
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Rodrigo shared with Rolling Stone her decision to retroactively credit Swift as a songwriter on two tracks from her “Sour” album, amidst claims that they bore similarities.
Despite the songwriting credits given to Taylor Swift on two tracks from her “Sour” album, Olivia Rodrigo’s admiration for Swift remains evident. However, whether she still considers herself a “Swiftie” is something only Rodrigo herself could confirm.
Given the absence of public sightings or social media interactions between Olivia Rodrigo and Taylor Swift, fans speculate that their once-friendly relationship may have cooled. Swift’s recent connection with Sabrina Carpenter, coupled with rumors surrounding Rodrigo’s alleged love triangle with Joshua Bassett, further fuels speculation about strained relations. However, Rodrigo maintains she harbors no ill will toward anyone and prefers keeping a small circle of close confidants.
Some listeners have scrutinized the lyrics of Rodrigo’s new album “Guts,” speculating that they allude to a potential rift with Swift. Notably, songs like “Vampire” and “The Grudge” contain lyrics that some interpret as addressing feelings of betrayal or disappointment in a relationship.
Olivia Rodrigo addressed the online rumors surrounding her relationship with Taylor Swift, stating that she tends to focus on alien-conspiracy theories rather than Twitter speculation. While she didn’t directly comment on her current relationship with Swift, Rodrigo did share her initial reaction to giving up writing credit on the two songs credited to Swift and the track referencing Paramore.
Reflecting on the adjustments to the songwriting credits, Rodrigo admitted feeling caught off guard and somewhat confused at the time, particularly as she was relatively new to the industry. However, she indicated that she wasn’t heavily involved in the decision-making process regarding the credits, suggesting that such matters were primarily handled by their respective teams rather than through direct discussions between the artists.